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They didnt sell well but did live up to their design intent of a. heavier, booming tone with good overall balance. In any event, these should be used only as a guide and not assumed to be absolutely correct. The current bridge height and neck angle was reached around 1910. This is a "fit-all" banjo case. There were many name variations for The Bacon Banjo Company, Inc. but it remained in Fred Bacons name from 1920 until the company closed in 1938. For more detailed information, get the following book: The Larsons Creations Guitars & Mandolins by Robert Carl Hartman. Gibson had changed its neck profiles and headstock shape on the successful J-Series. They were well suited for orchestral arrangements as well as individual play and accompaniment. Several cost-cutting measures existed between the Advanced Jumbo and the J-35 including scalloped braces on the advanced Jumbo and not on the J-35. The following are a rough guide. The bridge were early simple rectangular with through-saddles. The top and back are lightly arched, producing the deepest measurement in the center of the guitars body. Most were 3-piece solid maple bodies. It was initially called the De Luxe Jumbo for the few versions that were delivered before the model went into production. See the notes below. 519,409 In 1894, he patented this wild banjo with a neck that folds in on itself at the 10th fret in order to facilitate transportation. The Aria 921C was a good quality 5-string banjo made in the early 1970s. Like everything else connected to instrument identification issues there are many exceptions. The necks were 1-piece mahogany V shape with a Brazilian rosewood fretboard at 12 radius. side of the top of the peghead (see last set of pictures below). It is important to note that there are exceptions to every rule and the following is only a general guide for identifying Gibson "A" Style mandolins. The swing of a lathe is measured as the total diameter of a finished turned piece, such as a wood bowl. For example, the serial number 90237XXX corresponds to a production date of 1/23/97. The neck holds the strings secure using tuners, four of which are located at the peghead, with the fifth string tuning peg located almost halfway up the neck. Manchester University, All Forums You may, . Start your day off right, with a Dayspring Coffee Dreamstime is the world`s largest stock photography community. There were 431 made. The strings are tightly wound at the headstock so the banjo player can form cords along the fingerboard. However there were and are many different types, most of which can be found on this page. Ss. JR3H, like JR, but with 3-piece back, herringbone binding & gold tuners. This is the smallest model, chrome tuners. mikehalloran - Posted-12/27/2013: 17:21:06. Manchester University, Instruction * ConcertsJams * More Jul 15, 2021 - A study of banjo head peg heads. Other attempts by Gibson to make-do with the materials available to them include laminated maback and sides finished in a dark mahogany stain and a few were built with a laminate maple back and a mahogany top. No binding, no inlay and no decoration. Augustino & Thomas LoPrinzi Guitars usually have the date of manufacture on the label. When he passed, my grandmother bought it for me from his brother who was attempting to liquify his collection. USA produced Epiphones of this era bear standard Gibson serialization and include the Made in USA stamp on the back of the headstock. On rare occasions, some dates can be found on . Banjos with pegheads like that shown in the first picture below are usually made by Buckbee. 1972 L-5S launched, but shipping totals list no instruments being shipped until 1973. Due to the plain marks on the bracing, it is believed that every top was tuned by the same Gibson employee. It worked. The L-series is very difficult to properly identify and date as they were inconsistent in their appointments and the catalog descriptions do not always agree with the actual instruments produced. The rosettes were simple white-black-white. The LG-Series is 2 narrower than the J-Series. 340 Rosewood back & sides, MOP, colored wood appointments & a Tree-of-Life fretboard inlay. The 5th string is not only shorter than the other four banjo strings, but this string is also the highest in sound (or pitch ). The 1970s are viewed by many collectors and players as the low point of Gibson manufacturing. Where possible, these numbers are in agreement with existing sales receipts. S2R3H, identical to S2R, but with 3-piece back, full herringbone purflings, gold tuners. These instruments live a bit outside that critique. MK-99 models were handcrafted and signed by Richard Schneider. During the Folk Boom of the 1960s, Gretsch produced a line of 5 string open back banjos with regular and long necks. I would sure like to hear what it sounds like. This should be considered a guide to get you within a year of the correct date. New guitars were supplied with user applied pick guards, and extra saddles of different heights that could be easily inserted to adjust the string action to accommodate the swelling of the instrument with seasonal humidity changes. 2005-2023 acousticmusic.org. Larger top braces used, and bigger solid wood bridge plate and larger bottom-belly bridge. The final production versions had a double-braced red spruce top and rosewood back and sides with a sunburst finish. STONE BANJO CO - PEGHEAD SHAPES. First factory order number (FON) on neck block of J45s in 1942 was 907 and 923. I have owned a beautiful Kay company banjo for over 30 years. There were 1424 made. 15 Mahogany top, back & sides no binding, 17 Mahogany top, back & sides bound top. Hand Engraving. 593 Similar to 590 but with pearl (vs ivoroid) tuner buttons. It is not clear how many were made, but it is likely that there are less than 12. This technique of supplying interchangeable saddles/bridges was not new, it had been used by Selmer in France for their Maccaferri style instruments since the 1930s. The later pickguard clamps have a stamped patent date of July 4, 1911. The neck was a broad round profile single piece mahogany with a bound coffewood fretboard and dot markers. cases they carry no identifying name at all. ARCHIVED TOPIC: Vintage Kay Company Banjo - Need Help Identifying Model, Please note this is an archived topic, so it is locked and unable to be replied to. A Style mandolins were symmetrical and shaped like a teardrop. Number on headstock, Open Back, Pink OHC liner, Klusons with white plastic buttons, bound f/b: I/N Auction 8/2007 : 1962 : 88909: RB-180 . It was built for Hollywood singing star Ray Whitley as the worlds biggest and fanciest acoustic guitar. It had chrome plated standard friction pegs, rosewood finished neck and headstock with matchin resonator. Labels say: A. It appears that they experimented right up to the point of discontinuing the line. The banjo's fingerboard is where the magic happens. Sha-Sw. T-V. W-Y. USA produced Epiphones of this era bear standard Gibson serialization and include the "Made in USA" stamp on the back of the headstock. The tuners were individual Kluson with amber buttons. The Southerner Jumbo (later shortened to: Southern Jumbo and then SJ) was a fancier J-45. The appointments of the Southerner Jumbo included more top binding and an additional set of rosette rings. The standard early Gibson A models had a soft V shaped neck. Then Gibson developed the adjustable bridge. The decade following saw a change in finish from varnish to shinier lacquer. Alternates can range from standard designs out there in the banjo world, old or new, or a custom. Known Problems with Gretschs Serial Number System: Due to the various renumbering schemes, there are Gretsch-built Bacons and B&Ds with 3 digit, 4 digit and 5 digit serial numbers, which confuses identification of instruments made between 1910 and 1940. A-series Factory location: New York City from start to 1971. Gold War era logo - This type is called "Banner logo". By the end in 1985-86, Gibson was basically down to the Les Paul model alone. Gold script Gibson logo, Pickguard: Tiger-striped & teardrop shape, Finish: brown sunburst top finish, dark brown mahogany back and sides and neck, Body Binding: 7-ply top binding and single ply back binding, Tuners: Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic button usually white but sometimes black), Tortoise-shell teardrop pickguard replaced the tiger stripe material, Single bound top and back, multi-bound rosette, Mahogany neck but a few Maple necks with a single walnut stripe down the center (3 piece neck), Three layer w/b/w tops and single layer back binding, Mahogany neck block with beveled sides, changed to a mahogany neck block with square sides, Tuners were 3-on-a-plate Klusons with exposed gears and Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic buttons (usually white but sometimes black) and 1/4 diameter posts. Weve seen some serial number lists that are as much as 8 years out-of-sync with this list. Art Studios. Mark Johnson; Regular Hours Mon-Fri: 10:00am-4:00pm Extended Hours January-April 8:30am-5:00pm; 239 West 400 North, Lindon UT; 801-785-3161 F/FF = Factory code (No factory designator for some 1993 and earlier models) Y/YY = Year of manufacture (Single digit for some 1997 and earlier models) MM = Month of manufacture. The Lyon & Healy peghead shape used on most of Early 1970's block shaped no dot over the "i" closed "b" and . The name variations included Bacon and Day and B&D for all the instruments co-developed by Fred Bacon and David Day. It took Gibson 2 years to develop their response: The Jumbo of 1934. A-3s had refrigerator white tops with a black perfling line, adjustable truss rods and adjustable bridges. See more ideas about banjo, guitar inlay, mandolin. Script Gibson logo, Fretboard: Twin parallelograms inlays unbound 19 fret. The concept behind the J-45 was a high quality, affordable, big-sounding acoustic flat-top guitar. Information compiled by Leonard Wyeth 2008, L Wyeth, Century General Introduced 1933 for the Century of Progress Exhibition @ $55. There was a line of black inlay (or ebony layer) along the centerline of the back of the neck. During the war years women played a greater role in manufacturing while young men were fighting overseas. Notable endorsers of this model include Leon Redbone. The last 4 digits are a neck number. Augustino LoPrinzi has developed a fine reputation for classical guitars, ukuleles, steel string and 12-string guitars. Late 1974 gold covered recording pickups are replaced with humbuckers. I'm leaning more in that direction.