Vocal cords are the 2 folds of tissue inside your larynx, also called the voice box. . Download our mobile app now. And at such a moment, there was only that great voice on stage, an artist, making the unfamiliar music come alive. Any of these might cause a voice disorder. When opera star Stephen Costello needed a tonsillectomy, Academy of Vocal Arts teacher Bill Schuman was at his side. Though the Metropolitan Opera's season-opening production of Anna Bolena has been a magnet for mixed reviews, the live, movie-theater simulcast of the opera at 12:55 p.m. Saturday will likely offer reassurance for the longevity of Stephen Costello, 30, Philadelphia's contribution to tenordom. Also know what the side effects are. BARONE Her charisma certainly goes far, even if the banter pushed the evening to just over two and a half hours. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. "The last two years, I've been on a treadmill, but I try to find time to relax.". Mayo Clinic is a not-for-profit organization. The vibration of those cords is what produces speech. In November 1982, Millo made her European debut as Aida at the Badisches Staatstheater Karlsruhe in Karlsruhe, Germany, and in December at La Scala as Elvira in Ernani when she replaced soprano Mirella Freni who had taken ill. Recording. . Singing the role of Percy in Anna Bolena, Costello needed at least six high Cs - a seemingly distant possibility when, after three weeks of post-surgery vocal rest, he began re-climbing the scales under Schuman's guidance. But Ms. Millo could also have been describing her voice: an instrument of easy, opulent power and fiery yet sumptuous phrasing, a moving recollection of the great Italian singers who ruled 60 or 70 years ago. I think Millo still has a shot, especially if she stopsdoing so much Verdi and concentrates on the "Verismo Crazy Lady" fach. The surgery was done July 15 in New York City; the first day of Met rehearsals was Aug. 22. During these years, she accepted second billing only once, while also leaving Verdi for a rare visit to Puccini, when she sang Liu in "Turandot." April 14, 1958 in New York City, New York, USA Mini Bio (1) Aprile Millo came to New York a child prodigy and is a long established and Verdi specialist and bel canto champion. This gave her performances an uncanny, seance-like aspect, even as they also felt wholly fresh the voice healthy and secure and deeply felt. Ms. Millo and Luciano Pavarotti in Andrea Chnier at the Metropolitan Opera in 1996. Make a donation. In "Danny Boy," her voice was raspy and not completely at ease in the lower range of the opening verse. She sang that Boccanegra she was the cover and the world was talking about her, literally overnight: Youve got to hear this woman.. So no, I didnt think that opening set really bloomed vocally. He had often sung despite infections in recent years, but not like this. 2018; doi:10.1016/j.cger.2018.01.010. I want it, she said. Health care providers trained in ear, nose and throat illnesses and speech-language pathologists diagnose and treat voice issues. I get your point, but Price's first name is Mary (Violet and Leontyne are her middle names), and Tucker's name was originally Reuben Ticker. I can stand listening to > > her as long as I don't also have to look at her.> > Many singers (and other performers) change their names for professional> purposes; often this change is suggested by an agent or manager.>, You mean agents and managers are _still_ pulling the "you gotta have aforeign-sounding name to sing grand opera" gimmick on innocent youngAmerican singers? She made sure to emphasize this fact throughout the evening. That same year, she performed Maddalena in Andrea Chnier with Luciano Pavarotti in his debut in the title role. The skills he cultivates are simple. ), >I mean, after Richard Tucker and Leontyne Price, why would any aspiring. Review: Aprile Millo Keeps Operas Old-School Flame Alive, https://www.nytimes.com/2019/01/31/arts/music/review-aprile-millo-zankel.html. Although she has performed at many of the world's leading opera houses and with many orchestras and ensembles internationally, Millo has spent much of her career appearing in productions at the Metropolitan Opera. Learn more: Vaccines, Boosters & Additional Doses | Testing | Patient Care | Visitor Guidelines | Coronavirus. "It's very exciting to be able to tell friends that I will be on television," Millo says, philosophizing about the life of a prima donna. Be nice. A single copy of these materials may be reprinted for noncommercial personal use only. Know how you can contact your provider if you have questions. If you have a follow-up appointment, write down the date, time, and purpose for that visit. He canceled the second and third performances. Morris has not the slightest evideence of Verdi style, though his sound is commanding (he can't get Wotan out of his voice). All were performed with a subtlety and emotional power. I don't think it's really meant for a huge voice. Great place for young singers to visit and be inspired. aprile millo vocal problemsscott brown salary at aberdeen. At the visit, write down the name of a new diagnosis, and any new medicines, treatments, or tests. Soprano Aprile Millo - A Life for Art One of the few authentic Verdi sopranos of our generation, Aprile Millo is noted for her large, warm spinto sound and dramatic commitment. A car accident in Torino briefly sidelined Millo and forced her to cancel Caterina Cornaro in New York; she returned to the stage of the Metropolitan Opera in 1995 and 1996, playing Amelia (Simon Boccanegra) and Desdemona (Otello), opposite Plcido Domingo. And brava for that. Air moving through the voice box causes the vocal cords to vibrate and brings them closer together. [1] She also had the opportunity to work with Elisabeth Schwarzkopf who took her to Herbert von Karajan, and with mentors Renata Tebaldi, Zinka Milanov and Licia Albanese. A singer's psychology is another matter. Unanimously winning, Primo Premio Grand Prize at the Concorso Voce Verdiane at 20 years, James Levine and the Metropolitan Opera in a critically acclaimed debut as Amelia in 1984 in Simon Boccanegra. WOOLFE I dont know if thats in the cards; the soprano-baritone duet from Act III of Aida, while expressive at Zankel, didnt make me confident that there was an evening-length leading role in her voice, at least not right now. Domingo runs off the stage during Act II Otello to rest for 45 minutes andthey skip to Act III? We (her admirers) like to remember when shecould toss of the high coloratura of parts like Battaglia di Leganano orI Lombardi, - one remembers that in the late 40's and earliest years ofthe 50's Tebaldi's voice was higher and lighter as well - but nowMillo's voice has deepened, as did Tebaldi's, and without any shrinkage. Voice disorders in the elderly. I've always thought that Millo was not only extremely talented (I don't think there's ever been a better Liu), but a total babe -- albeit, as James says, a tad pretentious. That's not usual for him. In Spain the same sentiment in ABC Newspapers, " a beguiling mix of the spiritual and the carnal" "Intense and refined" La Vanguardia, Spain ".a message from the soul rendering yours incapable of resisting. By David Patrick Stearns, Inquirer Music Critic, Philadelphia native Stephen Costello, a graduate of the Academy of Vocal Arts, performing in "Anna Bolena" at the Metropolitan Opera. That kind of narrows thepractical venues down a bit, n'est-ce pas? "Most of the time I'm very shy," confesses Aprile Millo -- an unexpected problem, you might think, for someone who gets up on stage regularly and sings "Ritorna vincitor" in front of thousands of people. A superb voice, a true continuator of La Tebaldi. Kost KM, et al. The vocal cords vibrate to create sound. Accompanied by Inseon Lee on piano, Millo will perform a wide-ranging program consisting of songs by Bellini, Tosti, Liszt, Donaudy, Rachmaninoff, and Wagner, as {} A few outdoor performances of Verdis Ernani in the summer of 1984 excited connoisseurs, and her New York career was ready to ignite that December when she made an unexpected house debut three weeks ahead of schedule replacing a colleague in Verdis Simon Boccanegra., It was like she came out of nowhere, Michael Capasso, City Operas general director, recalled. But so far, the Metropolitan Opera, Millo's home base, has resisted this innovation. Personally, I find the gossip immensely entertaining. "You can't imagine what kind of fights I have -- and do not win most of the time -- about surtitles, asking not to have them," she says. Internationally renowned soprano Aprile Millo returns to New York on January 30, 2019 for a highly anticipated recital with the New York City Opera. Aprile Millo is currently appearing at the Met in "Un ballo in maschera"(she was originally contracted to sing her first local Leonora in ""Laforza del destino", but, well, you know) The word on the street isthat she is somewhat better vocal shape than she has been for severalseasons. Anyone can read what you share. that envelops the listener in a mantel of sensuality, a voice not so much heard as experienced on a physical level" was the praise that greeted her first formal recital by Doug de Lisle for his review. [7][8], In 1997, Millo sang her first Tosca at the Liceu, Barcelona, with Giacomo Aragall and Juan Pons, followed by performances of the opera at La Scala and at the Met. If it were the Three Sopranos, even the SEATS wouldn't come! Either procedure allows the vocal cords to meet and vibrate closer together. It's deepening," remarked retired soprano Renata Scotto after hearing a rehearsal. It would be a great achievement of her own, and (given thesimilar timbre and temperament) it would have the added grace to standas wonderful compensation for Tebaldi's reluctance (out of reverence forthe role, I am sure) to leave us even a glimpse of what her Norma mighthave been. --Linda B. FairtileAstoria, New Yorkta@bway.net. > In an era of plastic sopranos, she's the real thing. . ", And Wagner: "The voice has power but it's not a Wagnerian instrument. In her recording career, too, Millo has shown that she will settle for nothing less than what she considers right, and she is willing to wait until her conditions are met. The Digital home of legendary opera singer Aprile Millo. But I want to actually show up looking correct. . If vocal cords become swollen, or inflamed, develop growths or can't move as they should, they can't work properly. ANJE. Are you making these stories up or is Vienna just cursed? [1] She made her New York debut with Eve Queler and the Opera Orchestra of New York in November 1984, singing Matilde in Rossini's Guillaume Tell. This is not the title role, but it has some of the best music and one of the most touching death scenes by Puccini, a specialist in soprano death scenes. We are vaccinating all eligible patients. Aprile Millo has a timbre reminiscent of Tebaldi but with half the passion and a constant wobble--this is a superstar role and Millo was just a local star. At times, the voice may sound normal. The human voice, over the chorus of over 100 VERY good singers, almost 100 orchestral players, in front of an audience ranging between 16,000 in Verona and 4,000 like at the Met or the Colon di Buenos Aires, and we are heard in a victory over today's need to shush everyone. Her performance of To del mio amato ben by Donaudy was a masterclass in phrasing, and the singer, with near echoes of Verdis Act four Desdemona in Otello, soared during key passages, revealing that the decades have not removed Millos ability to move an audience with sheer power and beauty. from LA Weekly. . -- Michael Black's Opera HouseMichael Black, Youngstown, Ohiohttp://www.stairway.bc.ca/bjorlingJussi Rules!!! rapturous press. To go to that world that transfigured her Mother and Father's face. But moderation is not natural for a singer who is called "Diva" ("Goddess") by fans from Milan to Tokyo, by way of San Francisco. Masks are required inside all of our care facilities, COVID-19 testing locations on Maryland.gov. Thatwasn't an opera. But do the words "gravy train" pop into your mind as well? 1998-2023 Mayo Foundation for Medical Education and Research (MFMER). Ask if your condition can be treated in other ways. I can stand listening to >> her as long as I don't also have to look at her. Often likened to such greats as Tebaldi, Milanov and Ponselle, the "Golden Voiced Diva" will perform opera . My sister has the same instrument, but she doesn't want to work on it, so she's an actress now -- Shakespeare. Aww. As a subscriber, you have 10 gift articles to give each month. https://www.nidcd.nih.gov/health/vocal-fold-paralysis. Both parents and child embraced reinvention: Hamill was changed to Millo before she was born, and she turned April into Aprile, pronounced a-PREE-lay. Many singers (and other performers) change their names for professionalpurposes; often this change is suggested by an agent or manager. Whatever Costello's daily vocal ups and downs, tonsil-related infections will no longer be a factor. It seems Pavarotti has always had an appealto the non-opera-going crowd. In 2018 Millo was awarded the prestigious and highly coveted Verdi D'Oro of Busseto, Italy given in its 46 year history to only 14 singers such as Carlo Bergonzi, Renata Tebaldi, Luciano Pavarotti, Placido Domingo, just to name a few. I've seen Millo a number of times (in Ballo, in La Wally at Carnegie Hall), and I can't wait for her to finally take a crack at Norma. An otolaryngologist will ask you about your symptoms and how long you've had them. . American Academy of Otolaryngology Head and Neck Surgery. After winning several European vocal competitions including ones in Bussetto and Barcelona, Millo was propelled to fame in 1982 as a replacement for an ailing Mirella . In the intervening years, she has sung over 160 performances of 15 different roles at the Metropolitan Opera, including Leonora in Il Trovatore, Aida, Tosca, Amelia in Simon Boccanegra, and Amelia in Un ballo . The voice box sits at the top of the windpipe, also known as the trachea, and the base of the tongue. I imagine the cheering, nearly raucous audience can only hope that she will return soon, either under the guise of New York City Opera or perhaps for another winter recital, to again chase the icy winds away. However, I thought she sang a terrific Desdemona in February of lastyear (not as pretty as Fleming's perhaps, but far more idiomatic, andfrom what I heard, just as ecstatically received by her fans), and I amvery happy to hear the news, courtesy of Mr. Jorden, that she was strongin this run of Ballo. He has attended opera for decades, from Brooklyn to Bayreuth, and often both the music and the locations figure in his books. This is a nerve problem that causes the vocal cords to spasm. The voice box, also called the larynx, is made of a smooth covering, muscle and soft, moist areas. But it was another opera house that would be most connected with Millos remarkable career. I took my contacts out and pretended they weren't there. At least not for $40-$300. I can stand listening to heras long as I don't also have to look at her. When I make friends, I like them for themselves and they like me for myself. The audience, by the way, could also be vocal about other things. And you can throw all the stones youwant, I have never liked Carreras, but you are probably rightabout public sentiment in his having apparently "licked" thedreaded leukemia. And chances are someone who writes in this forum will have been present. but I was very uncomfortable. These problems occur when your vocal cords don't vibrate normally. After graduating from Hollywood High School in Los Angeles in 1976 she was invited to join the San Diego Opera Center as an apprentice, where she took part in the inaugural program and where as a member she sang the High Priestess in Aida. Millothey are co-founders of The Operavision Academy which launched first in 2015 in an association with the famed Centro Studi Italiani. But I understand that I have a responsibility to get past this. But it blossomed, gloriously, into a moment out of Ms. Millos salad days, rising from a fine quiet into a lushly phrased climax: Ill be here in sunshine or in shadow.. One of opera's great heartbreaks was tenor Hadley. The performance was recorded live for telecast and DVD release, which won an Emmy. Accessed Aug. 30, 2022. She coughed; she drank from a water bottle; she cracked jokes; she announced that she was cutting the scheduled first-act aria from Adriana Lecouvreur because Anna Netrebko sang it so beautifully Im going to leave it to her. And the crowd ate it up. But those mannerisms, vocal and physical gestures that might have seemed hopelessly old-fashioned coming from others, seemed, when Ms. Millo did them, the very embodiment of operas origins. I too have noticed that a much larger percentage of stuff on this group is singer-oriented than I expected. It is on the program of her recital on Wednesday at Zankel Hall, her first in New York in 10 years. The big question, of course, is whether after being away from the Met for more than a decade shell sing there again. Aprile Millo is Elizabeth of Valois, engaged to Don Carlo (Michael Sylvester), heir to the Spanish throne. Practice mode. Complete surrender.there is no fourth wall with Millo, you are in this together! Aprile Millo has not won all the battles of her operatic career, but she has won the ones that counted the most -- precisely because her strategy was based on a cool assessment of what she has. Millo sought out, worked with and became great friends to Renata Tebaldi, Zinka Milanov, and Licia Albanese, with Magda Olivero and Beverly Sills. Stay rested, drink plenty of water, use a microphone, warm up your vocal cords, dont smoke, learn proper breath flow, and seek care when there are changes to the voice quality. >> Just the change of name from April to Aprile seems a bit>> silly. Remarkably, the whole wonderful recital had just that air of informality and intimacy. Mom sounded a lot like {Claudia} Muzio and dad sounded like {Beniamino} Gigli. "It's an incredible talent.". Know the reason for your visit and what you want to happen. She doesn't win all her battles, of course. [citation needed]. "I didn't like it very much," says Millo, expressing a distinctly minority opinion. .. The Washington Opera's "Aida," in which Millo is contracted to sing seven performances, uses surtitles. [citation needed], Millo's debut recording in 1986 was Presenting Aprile Millo with the London Symphony and Giuseppe Patan. "The music is great," she says, "but you have to sing what you were born to sing. I dont want to offer excuses. The "High Priestess of that old time operatic religion.she brought the audience to a foot stomping frenzy!" at 22 yrs old a prodigy became an. A deviated septum temporarily changed her hearing, making her, she said,. The soprano Aprile Millo gave her first New York recital in a decade at Zankel Hall on Wednesday night. Can the Diva Who Once Ruled the Met Make a Comeback? Record the pronunciation of this word in your own voice and play it to listen to how you have pronounced it. I think they need a local population of at least 10 million tobe assured of drawing a crowd of 50,000. In some cases, the cause of a voice disorder is not known. https://www.uptodate.com/contents/search. But this one, says Schuman, was "a nightmare. "Every day I feel better because of it," he said last week in New York. APRILE MILLO In 1986, Aprile Millo made her Carnegie Hall debut with Verdi's I Lombardi alla prima crociata with tenor Carlo Bergonzi and Eve Queler and the Opera Orchestra of New York. She starred in the Met premiere of Verdi's "I Lombardi" in 1993, a run she points to as perhaps the start of her troubles. So the audience on Wednesday will be listening closely: to hear the singer still treasured as among the most authentic contemporary exponents of the great Verdian tradition, and to hear whether she still has what it takes to command the Met. Your voice is the sound that air makes when it is forced out of your lungs and passes over your vocal cords. Now, we're in a media age where they're used to seeing opera on television with titles. ", "We had talked about him getting the tonsils out next summer and taking the summer off," said Schuman. And, if I'm not mistaken, she dug up some rather long-ago> > ancestral name in order to sound Italian. She does not regret missing out on the Puccini heroines such as Mimi in "La Boheme" and Madame Butterfly, which require a very different kind of voice and personality. "Mayo," "Mayo Clinic," "MayoClinic.org," "Mayo Clinic Healthy Living," and the triple-shield Mayo Clinic logo are trademarks of Mayo Foundation for Medical Education and Research. Before your visit, write down questions you want answered. WOOLFE I also thought there was steady passion in a set of Rachmaninoff songs, which she dedicated to the Russian baritone Dmitri Hvorostovsky, who died in 2017. You have to stop right now!". The Metropolitan Opera also offered the 22-year old to become a member of the Met's Young Artist Program, as well as to cover leading roles. That involves managing damage left by less-sympathetic teachers. x x x. Mayo Clinic on Incontinence - Mayo Clinic Press, NEW The Essential Diabetes Book - Mayo Clinic Press, NEW Ending the Opioid Crisis - Mayo Clinic Press, FREE Mayo Clinic Diet Assessment - Mayo Clinic Press, Mayo Clinic Health Letter - FREE book - Mayo Clinic Press, Mayo Clinic Graduate School of Biomedical Sciences, Mayo Clinic School of Continuous Professional Development, Mayo Clinic School of Graduate Medical Education, Book: Mayo Clinic Family Health Book, 5th Edition, Newsletter: Mayo Clinic Health Letter Digital Edition, Science Saturday: Bioengineering vocal cords, Minnesota man takes shot at getting his voice back, Science Saturday: Regenerating damaged vocal cords. Treatments include: She reprised the role of Maddalena in 2002, with Domingo; and in 2007, with Ben Heppner. But you know, theseguys are >opera< singers. Millo returned to New York in January of 2019 for her debut with the NYCO in Recital to a sold out cheering audience at Zankel Hall at Carnegie Hall and critical acclaim. (and Cincinnati Opera subscriber & PROUD OF IT! I don't know thatthey could fill our own Riverfront Stadium (or whatever trumped up namethey're calling it these days), despite the quite healthy opera companyhere. In 1989, she opened the Metropolitan Opera season starring as Aida opposite Plcido Domingo. She starred in the Met premiere of Verdis I Lombardi in 1993, a run she points to as perhaps the start of her troubles. > What bothers you so much about *looking* at Millo? I have to have an affinity for music before I can sing it. She went on to sing for 14 seasons straight as the leading Verdi soprano of the Italian wing, and last was heard making a role debut in La Gioconda and a return to Andrea Chenier and Tosca in 2006. Though his July tonsillectomy led to bleeding that landed him briefly back in the hospital in Northeast Philadelphia where he grew up, he has no regrets. This is part of the price paid for star status in opera, and Millo tries to be philosophical about it: "Over the years, you come to realize that opera also has a very strange sub-world. Now, after 20-plus years at AVA, his influence in opera has become far more pervasive than if he had had a major singing career of his own. Millo became interested in music at an early age and received her musical education primarily from her parents. Passionately devoted to opera, she champions young artists, promotes the arts all over the world, and is keen to bring to light neglected masterpieces of the bel canto period and the scapigliatura period. But there are hundreds of singers singing every night, in dozens of cities around the world. I opened the Met season in a matter of weeks. I agree completely. We're ignoring her in hopes that she'll go away.). What's more, she knew exactly what kind of opera singer she wanted to be, and she was willing to sit in the deep shadows backstage at the Metropolitan Opera until what she wanted came along. I know he was good (if notthe best) in his day, but I don't think any other operasinger has ever had that effect on the public before. Her mother, who sang under the name of Geraldine Girosi, ran afoul of the law and was convicted of securing money under false pretenses while trying to raise funds to start her own opera company. I would only consider an Elsa {in 'Lohengrin'} at Bayreuth, because the place is very small which then leads us to question whether Wagner really wanted these big, big voices to be doing his music . You almost wish that they would stay away rather than hurt your feelings or say something that bothers you. Well, if you can't say something nice about someone, as mymommy always says . BARONE These tributes throughout the night were reminders of Ms. Millos former colleagues and another time, when she was the diva du jour at the Met Opera and accumulating the passionate fan base we saw screaming in support of her on Wednesday. The return to New York of Aprile Millo, on an unbelievably frigid night, was both recital and celebration, where the packed-house audience soon forgot their shivers, radiating so much warmth towards the artist on stage. "But when he went to Glyndebourne L'elisir d'amore], he said, 'Bill, I need you over here!' She said at the start that she wanted the audience to feel like this was an evening at her home, in her living room and the relaxed, even joyous feeling inside the concert hall had that intimate feeling. All rights reserved. ), Hey, Wild Willy, don't hold back tell us how you reallyfeel!! But when? I am very glad to hear this news of Millo's continued recovery. . I've heard that you teamers get excited easily, :-). Well, I won't, anyway. Dolora Zajick is Princess Eboli, the king's mistress who is also in love with Don Carlo. Wonderfully accompanied by Inseon Lee on piano, as well as Merynda Adams on harp and C Collins Lee on violin, Millo performed a wide-ranging program consisting of songs by Rachmaninoff, Donaudy, Tosti and Bridge, as well as arias by Verdi, Gounoud, and, a definite rarity, Licino Refice. For more: www.mattcostello.com. [2] Shortly thereafter Millo won two major awards for classical singers: the Richard Tucker Award (1985) and the Maria Callas Foundation Award (1986). If you have a voice change that lasts for a few weeks, your healthcare provider may send you to see a throat specialist called an otolaryngologist (Ears, Nose and Throat specialist or ENT). Millo seemed to have all the technique, plus the velvet sound aswell. Schuman smiles at the thought. In 1978, two years fresh from graduating Hollywood High School she did. When a beloved music figure recently died, apparently of a heart attack, Costello called up the somewhat chunky Schuman pleading, "Bill, stop eating ice cream! Any use of this site constitutes your agreement to the Terms and Conditions and Privacy Policy linked below. That debut launched her amazing career, as critics hailed her as a a new Verdi star. With the Met Opera as her home for over 20 years, Millo would go on to perform and triumph at the major opera houses worldwide. . "The most important thing," he says, "is sense memory," knowing how healthy singing feels so they can do it every day.". Her 1991 performance of Un ballo in maschera with Luciano Pavarotti was released on CD and DVD. -- John Lynch, jly@ma.ultranet.comjly@fas.harvard.edu, > (Shhhh! It's nice to be valued. Many factors can lead to a voice disorder, such as: Mayo Clinic does not endorse companies or products. I was truly there., She had triumphs through the Verdi canon Don Carlo, Il Trovatore, Aida, Otello, Un Ballo in Maschera, Luisa Miller as well as in Tosca and Andrea Chnier.. Similarly, Donizettis Me voglio fa na casa provided an additional showpiece for the still-shimmering beauty of her soprano as well as moments for Millo to swell in passionate volume, taking all of us with her. Over 15 different roles of opera over a nearly 25 year career at the Met. Exactly -- let the rest of us appreciate her. "That part of it is fun, but it's not essential. Millo's father, tenor John Hamill, who also used the name Giovanni Millo, sang at the New York City Opera in the 1940s. Pronunciation of aprile with 2 audio pronunciations, 1 meaning, 14 translations, 7 sentences and more for aprile. Unanimously winning Primo Premio Grand Prize at the Concorso Voce Verdiane at 20 years old, she was .